07 August 2020
by St. John Flynn (Houston Chamber Choir - With One Accord)
01 March 2020
by Henry Fogel (Fanfare)
13 December 2019
by David Fleshler (South Florida Classical Review)
15 November 2019
by David Katz (The American Prize)
18 March 2019
by Charles T. Downey (The Washington Post)
The Houston Chamber Choir premiered Dominick DiOrio's "A Dome of Many-Coloured Glass", a four-movement robust choral virtuosic showcase inspired by the imagist poetry of turn-of-the-century Nobel Laureate Amy Lowell. When he said that he had written for a professional choir who could do just about anything, he wasn't kidding."
-- Joel Luks, CultureMap
I personally remain suspicious when perusing any copy of new music with the title "Alleluia" after Randall Thompson as it is hard to say more than he did, strictly in the choral idiom, so long ago. That being said, I too can evolve and Dominick DiOrio has crafted a thrilling new treatment worthy of attention and praise."
-- Sean Burton, Iowa ACDA Summer Symposium
DiOrio’s setting is highly effective, in a lucid modern idiom, with Near’s sweet tone well conveying the placid denial of brutal reality... The Ave Maria is one of the most striking modern settings we have heard, and was our favorite bit of music for the evening.
-- Vance R. Koven, Boston Musical Intelligencer
Dominick’s music has a dramatic complexity and depth that really resonates with me. Klytemnestra’s music has an interwoven quality – web-like, veiled, cyclical, a masterful interplay between the parts. The music is deeply psychological and reflective of a Greek heroine.